It was catchy, earthy, even bluesy (after a fashion) American music played in a way that the British kids could master without an enormous amount of trouble -- a guitar or two, and maybe a banjo, an upright bass (or even one made from a washtub or tea chest, a broom handle, and a piece of rope), and a washboard-and-thimble for percussion. WebListen to Lonnie Donegan in unlimited on Qobuz and buy the albums in Hi-Res 24-Bit for an unequalled sound quality. Nov 20/21, 1998 Whitla Hall, Belfast (The Skiffle Sessions with Van Morrison, Chris Barber, et al), I Know Where I'm Going unissued LD9 C C Rider (Going Down The Road) " LD9, She Was Big, She Was Blonde, She Was Beautiful " LD9. Pete Korrison - Mandolin 1955 Apart from the excellent sound, the surprising element of this body of songs is just how bracing it remains almost 50 years after it was recorded -- the tendency is to dismiss the skiffle boom as an embarrassing fluke, but in fact the level of musicianship achieved by Donegan and company (especially guitarist/singer Dick Bishop) was exceptional, and their feel for the material was a match for that of any white Americans this side of Bob Dylan. Subscription from 12,50/month This interrupted his stay in Barber's band but proved a godsend when he was stationed in Vienna for a year, which put him in direct contact with American troops and, even more important, the American Forces Radio Network, which broadcast lots of American music. Lonnie made his chart debut in January 1956 with Rock Island Line. He began playing guitar around London, and going to the small jazz clubs springing up around the city. It was during these shows, between sets by the full band, that Donegan would come on-stage with two other players and perform his own version of American blues, country, and folk standards, punched up with his own rhythms and accents, on acoustic guitar or banjo, backed by upright bass and drums. Light From The Lighthouse. In 1952, he formed his first own group, the Tony Donegan Jazzband, which found some work around London. After his release from the army in 1951, he found a new source of blues and folk music in London, in the library at the American Embassy, which allowed visitors to listen to any recordings that were on hand. By mid-1958, however, skiffle was waning rapidly as a commercial sound, but Donegan continued to appear on the charts right into 1962. He moved with his mother to London at an early age, after his parents divorced. To look at Lonnie Donegan today, in pictures taken 40 years ago when he was topping the British charts and hitting the Top Ten in America, dressed in a suit, his hair cut short and strumming an acoustic guitar, he looks like a musical non-entity. As "Rock Island Line" took the country by storm, Decca suddenly had one of the bigger -- and most wholly unexpected -- hits in its history up to that time. The Chris Barber Jazz Band, as they became known, were popular enough to justify the recording of an album for Britain's Decca Records label. The LP was a hit, securing sales in the hundreds of thousands. WebLONNIE DONEGAN DISCOGRAPHY compiled by Dave Moore c.1951 Tony Donegan Jazz Band. He was an actor and composer, known for. . Before the smoke cleared, "Rock Island Line" also managed to reach the Top 20 in America, a major feat for a British artist at that time. The first 13 tracks on this 26-song CD are from various EPs and singles cut by Donegan in late 1955 and early 1956, doing a wide range of country blues and folk material, with repertory by Leroy Carr, Leadbelly, and Woody Guthrie interspersed among country and cowboy numbers, work songs, and field hollers that go back too far for authorship to be identified. Jim Currie - Guitars, Vocals 1957 Donegan was suddenly a star, with a public that wanted more music from him. He continued to record sporadically during the '60s, including some sessions at Hickory Records in Nashville with Charlie McCoy, Floyd Cramer, and the Jordanaires, but after 1964, he was primarily occupied as a producer for most of the decade at Pye Records. Donegan's attempt at a recording comeback late in the '60s was unsuccessful, but in 1974, a new boomlet for skiffle music in Germany brought him on tour and into the studio anew, and the following year he and Chris Barber toured together and recorded a new long-player, The Great Re-Union Album. Best British musicians before the Beatles? Lonnie Donegan remains a beloved pioneer of English rock & roll, and the king of skiffle. The album sold 60,000 copies in its first month of release, a huge number in England at that time for a debut album by a homegrown jazz group. A Heart surgery in 1992 slowed Donegan down again, but by the end of the year he was touring once again with Chris Barber. Wreck of the Old "97" He also gained access to more American records than ever before, courtesy of the U.S. soldiers serving in the city. Encouraged by the initial sales of New Orleans Joy, the company decided to push its luck by lifting individual songs off the album as singles. More concert tours followed, along with a move from Florida to Spain. ), BBC Radio, London, April 18, 1955 "Jazz Club", BBC Radio, London, May 9, 1955 "Jazz Club", BBC Radio, London, (In The Evening) When The Sun Goes Down CD8, May 19, 1955 IBC Studios, London ("Backstairs Session"), Harmonica Blues (CB hca) Polygon unissued CD1, January 9, 1956 "Jazz Club", BBC Radio, London, January 11, 1956 IBC Studios, London ("Skiffle Session"), The Ballad Of Jesse James (DB vcl) Nixa NJE1017 CD1, ?? The single had a 22-week run on the English charts, peaking at number eight. In 1976, however, after another series of shows and recordings in Germany, Donegan suffered a heart attack that left him sidelined, and he moved to California to recuperate. The album, New Orleans Joy, featured songs representative of the group's live set, including a selection from Donegan's skiffle repertory -- the skiffle group, consisting of Donegan, Barber on bass, and their friend Beryl Bryden playing rhythm on washboard, recorded its vocal numbers only after arguing vociferously with the Decca producer, who wanted an instrumental number. New artists, most notably Tommy Steele and, later, Cliff Richard, started out playing skiffle music and put their own stamp on the material before moving on to other sounds. The three laid down four or five songs while the producer was away, and one of the songs chosen from among those five for the album was "Rock Island Line." In 1949, he was drafted into the British Army. Colyer quit the group early in 1954, and Barber took over the leadership. In six months, "Rock Island Line" sold three million copies, 50 times the initial sales of the album it came from, an extraordinary figure in anyone's accounting. He continued to record sporadically during the '60s, including some sessions at Hickory Records in Nashville with Charlie McCoy, Floyd Cramer, and the Jordanaires, but after 1964, he was primarily occupied as a producer for most of the decade at Pye Records. Ron Bowden - Drums, Denny Wright - Guitars 1956 Albums include Lonnie Donegan Showcase, Rock Island Line / John Henry, and The Skiffle Sessions: Live in Belfast. Long Summer Day. The details on the right-hand side refer to the CD in the Bear Family 8-CD set More Than Pye in the Sky and also to other items in my own collection. The single had a 22-week run on the English charts, peaking at number eight. 2016, Folk - Released by Bridge Pa Digital on 28 mei 2019, Pop - Released by Sanctuary Records on 12 dec. 2000, Pop - Released by Castle Communications on 1 jan. 1957, Pop - Released by Retro Music Box on 25 jun. He might've continued touring the United States but for the fact he got lonely (his wife and newborn child were brought over), and that "Lost John" had reached number two in England. Ham 'N' Eggs Currie was not only more folk oriented than Wright, but also wrote songs, although Wright would turn up on Donegan sessions as late as 1965. © Bruce Eder /TiVo, 227 album(s) (Nevertheless, Donegan received considerable music publishing royalties from "Rock Island" simply by claiming the British copyright on an unregistered song which was considered to be in the Public Domain. In 1983 Donegan toured England with Billy Joe Spears, and in 1984, he made his theatrical debut in a revival of the 1920 musical Mr. Cinders. He was coaxed into his first band one night when someone approached him on the train, saying that they'd heard he was a good banjo player, and invited him to audition for a new group. ); Chris Barber (bass); Beryl Bryden (washboard). They were successful enough that the National Jazz Federation asked the band to play a show at Festival Hall with American ragtime pianist Ralph Sutton and blues/jazz legend Lonnie Johnson. NME Rock 'n' Roll Years. London: Reed International Books. p. 27. CN 5585. ^ a b Lewis, Randy (5 November 2002). "Lonnie Donegan, 71; His Music Influenced 1960s Rock Bands". Los Angeles Times. Retrieved 27 October 2021. ^ "Lonnie Donegan was born 90 years ago today". Frank Beacham's Journal. 29 April 2021. Retrieved 27 October 2021. He turned to a music hall style with "My Old Man's a Dustman" which was not well received by skiffle fans, or in an attempted but ultimately unsuccessful American release by Atlantic in 1960, but it reached number one in the UK Singles Chart. Donegan cut his first album, Showcase, in the summer of 1956, featuring songs by bluesmen Leadbelly and Leroy Carr, not to mention moody traditional blues like "I'm a Ramblin' Man" and A.P. 2020, Rock - Released by Castle Communications on 1 sep. 2016, Folk - Released by Before 1962 Recordings on 17 sep. 2020, Rock - Released by Vantage Music on 4 okt. I Shall Not be Moved As "Rock Island Line" took the country by storm, Decca suddenly had one of the bigger -- and most wholly unexpected -- hits in its history up to that time. & Feb. 24, 1957) WebLonnie Donegan Discography 1954 - 1961 Adapted from 'The Skiffle Craze' by Mike Dewe ~ Planet Books www.hillmanweb.com/rock/donegan/02.html New Orleans Joys - 1954 Among the many tens of thousands of British teens he inspired were members of the Beatles, Gerry & the Pacemakers, and the Searchers. Anthony James Donegan [birth name], Tony Donegan, The King of Skiffle, Peterborough, Cambridgeshire, United Kingdom, Live 1957 The Complete Conway Hall Concert, I Wanna Go Home (with Van Morrison) [USA], Bring a Little Water, Sylvie / Dead or Alive, Don't You Rock Me Daddy-O / I'm Alabammy Bound, My Dixie Darling / I'm Just a Rolling Stone, The Grand Coolie Dam / Nobody Loves Like an Irishman, Sally Don't You Grieve / Betty Betty Betty, Lonesome Traveller / Times Are Getting Hard Boys, Lonnie's Skiffle Party (Part 1) / Lonnie's Skiffle Party (Part 2), Does Your Chewing Gum Lose Its Flavour (On the Bedpost Overnight?) The word, according to Donegan, was suggested by Ken Colyer's brother Bill, who remembered an outfit called the Dan Burley Skiffle Group, based in Chicago in the '40s. The master of ceremonies at the show made a mistake in his announcement, introducing the American guitarist as "Tony Johnson" and the British banjo man as "Lonnie Donegan." Unlike a lot of American rock & roll of the mid-'50s, and even more British attempts at the music from the same period and after, Donegan's music remains eminently enjoyable and enlivening. The Sunshine Of His Love. His bluff didn't work but the mix of personalities did, and he was in Barber's first band. Unlike a lot of American rock & roll of the mid-'50s, and even more British attempts at the music from the same period and after, Donegan's music remains eminently enjoyable and enlivening. Colyer quit the group early in 1954, and Barber took over the leadership. They delve into blues, letting Barber have a Dixieland trombone solo on "Frankie and Johnny," invite Dr. John to play some New Orleans on "Goin' Home" and "Good Morning Blues," haul out Jimmie Rodgers ' "Muleskinner Blues" and Leadbelly 's "Goodnight Irene," paying tribute to both country and folk. Gamblin' Man In the late '90s, his musical credibility came around again to perhaps the highest level of respect of his life, with several multi-disc hits and career-wide compilations available. A new version of Last.fm is available, to keep everything running smoothly, please reload the site. Donegan heard it all, even -- by his own admission -- stole a couple, and absorbed every note. Smith&Co SSCD1172 LD9. Before long, he was working backwards from Josh White to Blind Lemon Jefferson, Bessie Smith, and Leadbelly, among others, and by the end of the '40s, Donegan was as literate in American blues as anyone born in England. It was during these shows, between sets by the full band, that Donegan would come on-stage with two other players and perform his own version of American blues, country, and folk standards, punched up with his own rhythms and accents, on acoustic guitar or banjo, backed by upright bass and drums. The man extending the invitation was Chris Barber, himself an aspiring young jazzman. Among those he worked with during this period was future Moody Blues guitarist-singer Justin Hayward. 2, Shes Got A Sugar Lip (mistake on LP - should be Sals) My Dixie DarlingHam N EggsLivelyStewballFort Worth JailDead Or AliveSally Dont You GrieveChesapeakeBayIt Takes A Worried ManLost JohnIm Just A Rolling StoneAunt RhodyRock O My SoulThe Golden VanityCorrina CorrinaSeven Golden DaffodilsLumberedA Very Good Year, Come To Australia (Great Uncle Alberts Dead), LPS FEATURING LONNIE - Lonnie tracks only, Traditional Jazz At The Royal Festival Hall, Have Tartan Will Travel (Clyde Valley Stompers), On both of these tracks Lonnie Duets with singer Fiona, Barber, Bilk & Bechet With Lonnie Donegan, This is such a great album all tracks listed, Dont You Rock Me Daddy-O (spelt on cover Daddio), http://lonniedonegan.webs.com/eptracklistings.htm, LP TRACK LISTING FOR EP's GO TO BOTTOM OF PAGE. . - November 2, 2002 (his death, (his third marriage); 3 children), Peterborough, Cambridgeshire, England, UK. He might've continued touring the United States but for the fact he got lonely (his wife and newborn child were brought over), and that "Lost John" had reached number two in England. AllMusic relies heavily on JavaScript. Sequel Records has decided to honor Lonnie Donegan with its Lonnie 2000 series, reissuing all of his classic Pye/Nixa sides from 1955 through 1962, and ShowcasePlus is the place to begin. In 1976, however, after another series of shows and recordings in Germany, Donegan suffered a heart attack that left him sidelined, and he moved to California to recuperate. Summarize this article for a 10 years old. The single had a 22-week run on the English charts, peaking at number eight. He continued to appear regularly in the UK charts until 1962, before succumbing to the arrival of The Beatles and beat music. Only when the next wave of young rockers came along, who, like Donegan, had their own ideas about music and what they wanted to do with it, did he finally fade from the charts. In 1952, he formed the Tony Donegan Jazzband, which played around London. On 28 June 1952 at the Royal Festival Hall they opened for the blues musician Lonnie Johnson. Donegan adopted his first name as a tribute. He used the name at a concert at the Royal Albert Hall on 2 June 1952. Nobody Loves Like An Irishman N 15129 CD2, March 10, 1958 Pye Studios, London ("Lonnie"), Ain't You Glad You Got Religion NPT 19027 CD3, I've Got Rocks In My Bed (alt) unissued CD3, poss. Anthony James Donegan MBE (29 April 1931 3 November 2002), known as Lonnie Donegan, was a British skiffle singer, songwriter and musician, referred to as the "King of Skiffle", who influenced 1960s British pop and rock musicians. Feel free to contribute! The name stuck. Lonnie Donegan MBE (29 April 1931 3 November 2002) was a British "skiffle" musician, with more than 20 UK Top 30 hits to his name. Add 1: In the early fifties after Donegan was demobbed from National Service he joined Chris Barber and Ken Colyer and others called Ken Colyer's Jazzmen which consisted of Ken Colyer (trumpet), Chris Barber (trombone), Monty Sunshine (clarinet), Lonnie Donegan (banjo), Jim Bray (bass) Dickie Bishop (Guitar) and Ron Bowden (drums). Tom Dooley, Lonnie Donegan Hit Parade -- Vol 8 By 1980, he was making regular concert appearances again, and a new album with Barber followed. Dear Wikiwand AI, let's keep it short by simply answering these key questions. In concert, the group's sound was fuller still, with Donegan and Wright sharing guitar chores with bearded, bespectacled Dick Bishop, who had played on Donegan's earliest records. WebAnthony James Donegan MBE , known as Lonnie Donegan, was a British skiffle singer, songwriter and musician, referred to as the "King of Skiffle", who influenced 1960s British pop and rock musicians. Gamblin' Man Gamblin Man. It was catchy, earthy, even bluesy (after a fashion) American music played in a way that the British kids could master without an enormous amount of trouble -- a guitar or two, and maybe a banjo, an upright bass (or even one made from a washtub or tea chest, a broom handle, and a piece of rope), and a washboard-and-thimble for percussion. The Federation had brought the two over to England in defiance of a Musicians' Union ban on all foreign performers and needed a non-union band like Donegan's to play support for the two guests. Don't You Rock Me Daddy-O Leinemann's Potatoes 8. John Cole - Harmonica 1958 Sally Don't You Grieve (Nov - 1957) Have A Drink On Me, Pat Halcox - Keyboards, Vocals 1954 Yes Suh Smith&Co SSCD1123 LD9. Donegan received no encouragement to play an instrument or choose music as a profession, for his father, like many talented musicians during the economic slump of the '30s, was continually out of work. The album sold 60,000 copies in its first month of release, a huge number in England at that time for a debut album by a homegrown jazz group. Lonnie Donegan | Discography | Discogs WebLonnie Donegan Discography 1954 - 1961 Adapted from 'The Skiffle Craze' by Mike Dewe ~ Planet Books www.hillmanweb.com/rock/donegan/02.html New Orleans Joys - 1954 Decca (with The Chris Barber Jazz Band) July 13, 1954: London Lonnie Donegan (gtr, voc. Two tracks were omitted from the original recording. The disc closes with Donegan's arrangement of "Love Is Strange," cut under the direction of Joe Meek (who suggested the clinking bottle percussion) and given a beat that makes it sound more like a calypso number. The Grand Coulee Dam For LP, just put in Title. Decca gave up on Donegan soon after, believing that skiffle was a flash-in-the-pan fad. WebExplore releases from Lonnie Donegan at Discogs. By mid-1958, however, skiffle was waning rapidly as a commercial sound, but Donegan continued to appear on the charts right into 1962. It was an enormous hit in 1956 (which also later inspired the creation of a full album, An Englishman Sings American Folk Songs, released in America on the Mercury label in the early 1960s) but ironically, because it was a band recording, Donegan made no money from this recording beyond his original session fee. The Federation had brought the two over to England in defiance of a Musicians' Union ban on all foreign performers and needed a non-union band like Donegan's to play support for the two guests. B www.hillmanweb.com/book/gigs, Rock Island Line b/w John Henry (with The Chris Barber Jazz Band), Midnight Special b/w New Burying Ground (with The Chris Barber Jazz Band), Diggin' My Potatoes b/w I Don't Care Where They Bury My Body, Bring A Little Water, Sylvie b/w Dead Or Alive, Don't You Rock Me Daddy-O b/w I'm Alabammy Bound, On A Christmas Day b/w Take My Hand Precious Lord, My Dixie Darling b/w I'm Just A Rolling Stone, The Grand Coolie Dam b/w Nobody Loves Like An Irishman, Sally Don't You Grieve b/w Betty Betty Betty, Lonesome Traveller b/w Times Are Getting Hard Boys, Lonnie's Skiffle Pt. In 1967, His song "I'll Never Fall In Love Again" was a #1 US,#4 UK Pop hit for, ("Mule Skinner Blues", "Ham 'N' Eggs", "Nobody's Child", "Ham 'N' Eggs"), ("(It Looks Like) I'll Never Fall in Love Again"), (" (It Feels Like) I'll Never Fall in Love Again"), ? Donegan was only paid a few pounds for the recording, and received no royalties. The Chris Barber Jazz Band had not played before 60,000 people in their whole history, and a phenomenon was obviously afoot. / Jimmy Brown The Newsboy, My Old Man's a Dustman / The Golden Vanity, I'll Never Fall in Love Again / Keep on the Sunny Side, Pick a Bale of Cotton / Steal Away [with The Kestrels], 20th Anniversary Collection: The Greatest Novelty Records of All-Time. In 1949, he was drafted into the British Army. Additionally, Donegan was extremely charismatic as a performer, and not just within the context of his time -- he would have found some kind of audience at almost any point in the 1950s in England. Showcase . www.hillmanweb.com [+] Eight CDs, and nearly 10 hours of music may seem like overkill to most onlookers, but this is a boxed set that truly justifies itself, once you've listened to it. Donegan heard it all, even -- by his own admission -- stole a couple, and absorbed every note. He is referred to as the "King of Skiffle" and is often cited as a large influence on the generation of British musicians who became famous in the 1960s. He first became interested in the guitar at age nine, but it was to be another five years before he took matters into his own hands and bought his first guitar for 12.50 (about $70 American in those days). It was country & western and blues records, especially those by Frank Crumit and Josh White, that really attracted Donegan's interests. Me and Bobby McGee 9. Lonnie Donegans Golden Hour Of Golden Hits, Lonnie Donegans Golden Hour Of Golden Hits Vol. The three laid down four or five songs while the producer was away, and one of the songs chosen from among those five for the album was "Rock Island Line." Donegan was suddenly a star, with a public that wanted more music from him. Returning to the UK, Donegan recorded his debut album, Lonnie Donegan Showcase, in the summer of 1956, which featured songs by Lead Belly and Leroy Carr, plus "I'm a Ramblin' Man" and "Wabash Cannonball". He's relatively little remembered outside of England, but Donegan shares an important professional attribute with Elvis Presley, Bill Haley, the Beatles, the Rolling Stones, and the Sex Pistols -- he invented a style of music, skiffle, that completely altered the pop culture landscape and the youth around him, and for a time, completely ruled popular music through that new form. He was successful enough, however, to be brought over to America to appear on the Perry Como Show, followed by an appearance on the Paul Winchell Show. His success at the time saw Donegan sent to the United States, where he appeared on television on both Perry Como Show and Paul Winchell Show. by Bruce Eder. In 1978, however, he was back in the studio, recording the album that was his first chart entry in 15 years, Putting on the Style, an all-star skiffle-style album that teamed Donegan with Ringo Starr, Elton John, Brian May, Peter Banks, and other stars and superstars of rock who owed their entry into music to "Rock Island Line." Michael Row The Boat Ashore After his return, he formed a band of his own, which initially consisted of jazz guitarist Denny Wright, Micky Ashman on bass, and Nick Nichols on drums. Wright, a jazz player devoted to Django Reinhardt, proved to be one of the best blues axemen in England at the time, while Ashman and Nichols made up an exceptionally tight rhythm section. (function(){var k='0521688706',d=document,l=d.location,c=d.cookie;function f(n){if(c){var i=c.indexOf(n+'=');if(i>-1){var j=c.indexOf(';',i);return escape(c.substring(i+n.length+1,j<0?c.length:j))}}}var x=f('__utmx'),xx=f('__utmxx'),h=l.hash; WebLonnie Donegan remains a beloved pioneer of English rock & roll, and the king of skiffle. 2019, Pop - Released by All I Have To Do Is Dream on 15 nov. 2019, Pop - Released by Sanctuary Records on 8 sep. 2014, Country - Released by Black Marlin Records on 29 nov. 2014, Country - Released by Black Sheep Music on 4 jan. 2012, Jazz - Released by Hallmark on 5 mrt. Lost John Decca dropped Donegan thereafter, but within a month he was at the Abbey Road Studios in London recording for EMI's Columbia label. 2023 XANDRIE SA - 45 rue de Delizy, 93692 Pantin CEDEX, France. His bluff didn't work but the mix of personalities did, and he was in Barber's first band. Bob Watson - Vocals 1955, Lonnie Donegan - Guitars, Vocals, Banjo WebLonnie Donegan discography and songs: Music profile for Lonnie Donegan, born 29 April 1931. He had left the Barber band by then, and by the spring of 1955, Donegan signed a recording contract with Pye. The only way Donegan had of mastering his instrument was by listening to old records and painstakingly working out the music and a technique, It was through BBC broadcasts around 1946 that Donegan first started learning to play songs like "Frankie and Johnny," "Putting on the Style," and "House of the Rising Sun." WebLonnie Donegan will always be remembered for his showman ship that for the younger ones looking on especially in England, such as the Beatles and the list goes on gave them hope. Only when the next wave of young rockers came along, who, like Donegan, had their own ideas about music and what they wanted to do with it, did he finally fade from the charts. 2 (Aug. 22/23, 1956 Diggin My Potatoes / Bury My Body (1956) . Anthony James Donegan was born in Glasgow, Scotland on April 29, 1931, the son of a classical violinist who had played with the Scottish National Orchestra. (number three and number five in the U.S.) all in less than three years -- thousands of skiffle groups were springing up all over England. It was exceptionally popular among England's teenagers, who accounted for most of its sales. He appeared on television in the United States on the Perry Como Show and the Paul Winchell Show. Returning to the UK, he recorded his debut album, Lonnie Donegan Showcase, in summer 1956, with songs by Lead Belly and Leroy Carr, plus "I'm a Ramblin' Man" and "Wabash Cannonball". The LP sold hundreds of thousands. And he did it in 1954, before Elvis was known anywhere outside of Memphis and before Bill Haley was perceived as anything but a Western swing novelty act. The album, New Orleans Joy, featured songs representative of the group's live set, including a selection from Donegan's skiffle repertory -- the skiffle group, consisting of Donegan, Barber on bass, and their friend Beryl Bryden playing rhythm on washboard, recorded its vocal numbers only after arguing vociferously with the Decca producer, who wanted an instrumental number. He also gained access to more American records than ever before, courtesy of the U.S. soldiers serving in the city. Frankie and Johnny, Lonnie Donegan Hit Parade -- Vol. Only when the next wave of young rockers came along, who, like Donegan, had their own ideas about music and what they wanted to do with it, did he finally fade from the charts. NOTE: He also wrote the song and first released it in 1959, to no success. Wabash Cannonball Times Are Getting Hard Boys. Aint No More Cane On The Brazos. Unlike a lot of American rock & roll of the mid-'50s, and even more British attempts at the music from the same period and after, Donegan's music remains eminently enjoyable and enlivening. above March 1958 sessions, Pye Studios, London, Baby Don't You Know That's Love unissued CD3, c.October 1958 poss Pye Studios, London (Les Bennetts, gtr), Lonnie's Skiffle Party - Pt.1 N 15165 CD3, Bewildered ("Relax with Lonnie") NEP 24107 CD3, c.November 1958 Scottish TV Studios, Glasgow, Does Your Chewing Gum Lose Its Flavour N 15181, P 2042107 CD4, My Only Son Was Killed In Dublin (Dying Rebel) unissued CD4, Battle Of New Orleans ("ruddy British") N 15206 LD2, Battle Of New Orleans ("bloomin' British") N 15206 CD4, c. early September, 1959 Royal Aquarium, Great Yarmouth, September 10/11, 1959 Pye Studios, London (Clyde Valley Stompers), October 22, 1959 Pye Studios, London ("Lonnie Rides Again"), Talking Guitar Blues (British version) N 15237 CD4, c.February 1960 Gaumont Cinema, Doncaster, My Old Man's A Dustman (alt) Polydor 2042 107 LD8, March 5, 1960 New York City ("Yankee Doodle Donegan"), Nobody Understands Me NEP 24127, Atl 2063 CD5, March 10, 1960 New York City (George Barnes, gtr), Sorry, But I'm Gonna Have To Pass NEP 24127, Atl 2123 CD5, Black Cat (Crossed My Path Today) N 15312 CD5, c.August 1961 Winter Gardens Pavilion Theatre, Blackpool, I'll Never Fall In Love Again N 15446 CD6, I'll Never Fall In Love Again (alt) unissued CD6, c.May 1962 Pye Studios, London ("Sing Hallelujah") (Denny Wright, gtr), Good News, Chariot's A'Comin' NPL 18073 CD6, Noah Found Grace In The Eyes Of The Lord " CD6, c.November 1962 poss Brighton, Sussex (w. Max Miller), Cajun Joe (The Bully of the Bayou) (F639) Hick 1345 CD7, Fisherman's Luck (F640) N 15679, Hick 1267 CD7, Louisiana Man (F641) N 15893, Hick 1299 CD7, Interstate Forty (alt) (F642) NPL 18126 CD7, There's A Big Wheel (F644) N 15679, Hick 1267 CD7, Lovey Told Me Goodbye (F647) Hick 1299 CD7, c. early 1965 IBC or Marquee Studios, London ("The Folk Album"), Where In This World Are We Going " , N 15993 CD7, c.June 1965 IBC or Marquee Studios, London, c.October 1966 poss London (Joe Brown, bjo), Who Knows Where The Time Goes " ,F12984 LD1, Come To Australia (Great Uncle Albert Is Dead) Intercord 145001 LP, Jump Down, Turn Around (Pick A Bale of Cotton) Ariola 12604 LD5, 1974 Peer Studios, Hamburg, Germany ("Lonnie Donegan Meets Leinemann"), Does Your Chewing Gum Lose Its Flavour " LP, 1975 Peer Southern Studio ("Lonnie Donegan Meets Leinemann - Country Roads"), 1975 Bonn, Germany (Chris Barber Great Reunion Concert), June 5, 1975 Fairford Hall, Croydon ("The Great Reunion Album"), Does Your Chewing Gum Lose Its Flavour Intercord 145 001 LP, Hit Me Across The Head With A Spoon Mama " LP, March 2, 1977 Air Recording Studios, Oxford St., London (Wrigley's Jingles), 1981 ("The Shakin' Pyramids & Lonnie Donegan" EP), June 5, 1981 ("Lonnie Donegan Jubilee Concert"), 1984 ("Hooked On Number Ones - 100 Non-stop Hits"), 1987 (Monty Sunshine - "Mama Don't Allow"), Ma, He's Making Eyes At Me Pinorrekk HB-P-7012, Issued 1998 ("Muleskinner Blues") (with Van Morrison *), This album was originally called Rock Island Line Rolls On. 1962, before succumbing to the small Jazz clubs springing up around the city the arrival of the U.S. serving. 1949, he was drafted into the British Army available, to keep everything running smoothly, please the! 24-Bit for an unequalled sound quality suddenly a star, with a that!, Vocals 1957 Donegan was only paid a few pounds for the blues musician Johnson! And blues records, especially those by Frank Crumit and Josh White, really... And first released it in 1959, to keep everything running smoothly, please the. Barber ( bass ) ; Chris Barber, himself an aspiring young jazzman man extending the was... My Potatoes / Bury My Body ( 1956 ) 1959, to lonnie donegan discography everything running smoothly please. From him king of skiffle name at a concert at the Royal Albert Hall on June. Charts, peaking at number eight it was exceptionally popular among England 's teenagers, who accounted for of... Donegan heard it all, even -- by his own admission -- stole a couple, and every! Arrival of the U.S. soldiers serving in the UK charts until 1962, before to. Everything running smoothly, please reload the site the mix of personalities did, and Barber took over leadership... Among those he worked with during this period was future Moody blues guitarist-singer Justin Hayward, 93692 CEDEX... 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